建筑营设计工作室作品丨水桌

　　作品名称：水桌

　　材质：胡桃木、水曲柳。

　　时间：2017-2018.

　　设计者：李晓明

　　设计公司：建筑营设计工作室(www.archstudio.cn)

　　摄影师：金伟琦

　　自然、生命、与人的违和，一直是我关注的主题，自然与人的关系，人与自然如何对话时常是我思考的问题。当我身处自然中，有时会被自然界中的灵动感动，自然吸引着人与其亲近，人与自然融为一体，人成为自然的一部分。

　　我时常盯着运动的水的轨迹，让我感受到时间、空间、与生命，水桌缘起于我对运动中的水纹的重新阐述，同时介于在二维平面的维度里重现漩涡水纹而达到三维的视错感与运动感，桌面是平整的，不存在真正的垂直的漩涡变化。

　　椭圆的桌面边界界定了漩涡水纹运动的基本轮廓，桌的基本功能定义为几，供使用者盘坐休闲而用，桌的高度考虑到人的视觉尺度与角度变化，在距离变化的阈值之间，视错原理使得水漩涡产生运动的视觉变化，有时急湍、有时孱缓，就似一潭灵动的水，让我们感受其生命，与水互动、与自然对话。人的使用行为人在水桌的设计中成为重要的元素，人的运动带动水桌的“运动”，人与产品的互动正介于此。

　　桌几选择胡桃木、水曲柳两种不同肌理的木质，深浅木纹交错构成桌面纹理，水纹方向为顺时针漩涡，胡桃木与水曲柳木纹方向为不规则横向山纹，不同方向的木纹肌理变化构成交替的运动感，当我们距离桌面越近感受越为真切。而当我们一旦静止，水纹也会静止，我们会聚焦于天然的木质纹理的细节变化，我们也需要纹理的触感，如同触及平静的水面。

　　Name: Water Table

　　Materials: Walnut, Manchurian Ash

　　Time: 2017-2018

　　Designer：Li Xiaoming

　　Design company：ARCHSTUDIO (www.archstudio.cn)

　　Photographer：Jin Weiqi

　　I have been focusing on the inharmony among nature, life and human beings, and I often think about the relationship between nature and man, and how people and nature can have dialogue with each other. When I am in the nature, I am sometimes touched by the spirit of nature, which attracts people to be close to it, people and nature are combined into one, and people become a part of nature.

　　By staring at the tracks of flowing water frequently, I feel the time, space, and life. The water table comes from my reinterpretation of the water waves. A 3d visual sense and a moving feeling are achieved through showing the vortex water waves in a 2d plane. The table top is flat, and there is no real change of the vertical vortex.

　　The elliptical table edge defines the basic outline of moving water. The table is used when people are sitting aside, so that its height considers the changes of people's visual dimension and angle. Between the sensory threshold of distance change, the principle of pseudoblepsia causes the visual changes by flowing water vortex, rapidly or slowly, just like a pond of dynamic water that lets us feel it, interact with it and dialogue with nature. Man is an important element in the design of the water table since people's movement drives the water table's "movement", and the interaction between people and product is in the middle of this.

　　Two different woods, namely, walnut and Manchurian ash were selected for the table. The deep and light lines constitute the texture of the top. The water waves are flowing clockwise, while the grains of walnut and manchurian ash are moving irregularly and transversely, and it is such wooden lines in different directions that creates the alternant feeling of movement, the closer we are, the stronger it is. And when we are still, the lines are still. We focus on the subtle changes of the natural wood texture, and we also need the sense of texture, it's just like touching the calm water.